thehistoryofthrashpart27

 

PART XXVII.
THE REVIVAL.
THE NEW WAVE OF THRASH.
(2005-2015)

The New Wave of Thrash Metal, or NWOTM, was a global resurgence of thrash that started roughly around 2005 and it's somehow still going strong. It was the new generation rediscovering 80's thrash and picking up their instruments in order to create something that was built on past glory. Pushing it forward with tighter playing and modern production. Young bands from every corner of the world started releasing fast, sharp, high‑energy records at the same time: the US had Warbringer and Havok, the UK had Evile, Europe had Angelus Apatrida, Crisix, and Suicidal Angels, the Nordics produced Lost Society, F.K.Ü., Antichrist, Nekromantheon, and South America exploded with Violator, Strike Master, Bywar and Deathraiser.

What made the movement stand out was how worldwide it was, not centered in one city or one scene, but happening everywhere at once, connected through touring, festivals, and early social media. NWOTM revived thrash as a living genre, proving it still had something to say, and it produced some of the most important thrash albums since the original 80s wave. Here follows a presentation of what the most important bands of the era were doing between 2005 and 2015.


ANGELUS APATRIDA (2005–2015)  

Spain’s Angelus Apatrida rose quickly with Give ’Em War in 2007 and Clockwork in 2010, both of which showcased a tight, melodic, and technically sharp style. The band kept the same core lineup throughout the decade, which gave them a level of cohesion many NWOTM bands lacked. The Call in 2012 and Hidden Evolution in 2015 pushed them into more ambitious songwriting and helped establish them as one of Europe’s strongest modern thrash acts.

ANTICHRIST (2005–2015)  

Antichrist were one of the most important Swedish thrash bands of the era, even if they stayed underground. They formed in 2005 and built a cult following through demos and relentless gigging. Their debut album Forbidden World in 2011 hit the scene like a bomb: raw, frantic, and drenched in early‑German‑thrash energy. The lineup stayed stable, which helped them develop a tight, chaotic live presence. They toured Europe’s underground circuit and became one of the most respected Nordic thrash acts of the decade. Their sound was pure adrenaline, closer to early Kreator and Destruction than anything melodic or polished.

Antichrist - Forbidden World (2011)

AURA NOIR (2005–2015)  

Aura Noir were one of the most important black‑thrash bands of the era, and their influence spilled directly into the NWOTM. The Merciless in 2004 set the tone, but Hades Rise in 2008 and Out to Die in 2012 defined their 2005–2015 period. Their sound was raw, ugly, and rooted in early Slayer and Kreator, filtered through a black‑metal lens. The lineup stayed centered around Apollyon and Aggressor, with Blasphemer returning for Out to Die. Aura Noir weren’t part of the "new wave" in age, but they were absolutely part of the same cultural moment, shaping the darker side of the revival.

BIO‑CANCER (2005–2015)  

Bio‑Cancer came out of Greece with a vicious, almost blackened edge. Their debut Ear Piercing Thrash in 2012 was frantic and abrasive, and Tormenting the Innocent in 2015 pushed the extremity even further. The lineup stayed mostly stable, and their relentless speed made them one of the most aggressive bands of the entire NWOTM.

BLOOD TSUNAMI (2005–2015)  

Blood Tsunami from Norway brought a harsher, more extreme edge to the Nordic thrash scene. Their debut Thrash Metal in 2007 was exactly what the title promised: fast, violent, and unapologetically old‑school. They followed with Grand Feast for Vultures in 2009, which added more blackened elements without losing the thrash backbone. The band was anchored by vocalist and guitarist Pete Evil, and their lineup stayed fairly stable. Blood Tsunami were never mainstream, but they were a key part of Norway’s underground and toured with many of the bigger NWOTM names.

BONDED BY BLOOD (2005–2015)  

Bonded by Blood were one of the earliest American bands to break out during the revival. Their debut Feed the Beast in 2008 captured the raw, frantic energy of the movement, and Exiled to Earth in 2010 showed a more ambitious, sci‑fi‑themed direction. Vocalist changes, especially the departure of Jose Barrales, disrupted their momentum, and The Aftermath in 2012 reflected a band trying to find its footing again. Even with the instability, they were a key part of the early NWOTM surge.

BYWAR (2005–2015)  

Bywar were one of Brazil’s strongest and earliest underground thrash bands during the revival. Their albums Heretic Signs in 2002 and Invincible War in 2004 set the stage, but they stayed active through the 2005–2015 period with constant touring and a fiercely loyal South American fanbase. Abduction in 2010 showed a more polished, aggressive sound. They never reached the visibility of Violator, but they were an important part of Brazil’s thriving thrash underground.

CHRONOSPHERE (2005–2015)  

Chronosphere emerged from Athens, Greece with a sharp, melodic, high‑energy thrash sound that set them apart from the darker Greek bands of the era. Their debut Envirusment in 2012 introduced a tight, youthful band with strong musicianship, and Embracing Oblivion in 2014 pushed them into a more technical and ambitious direction. The lineup stayed stable around frontman Spyros Lafias, which gave the band a consistent identity. Chronosphere toured heavily across Europe and quickly became one of the most promising Greek thrash acts of the decade.

CONDITION CRITICAL (2005–2015)  

Condition Critical came out of New Jersey with a sound heavily inspired by Demolition Hammer and early Sepultura. Their debut Operational Hazard in 2013 delivered fast, violent riffs and harsh vocals, and they followed quickly with Extermination Plan in 2015, which pushed the brutality even further. The lineup shifted a bit, but the band kept a consistent identity rooted in heavy, punishing thrash. They became one of the heaviest young American bands of the era.

CRISIX (2005–2015)  

Spain’s Crisix (originally Crysys) broke out with The Menace in 2011 after winning the Wacken Metal Battle. Their sound was fast, melodic, and full of personality. Rise… Then Rest in 2013 showed a more confident band, and they quickly became one of Europe’s most energetic young thrash acts. The lineup stayed stable, which helped them grow quickly.

DEATHHAMMER (2005–2015)  

Deathhammer were one of the purest, most feral thrash bands to come out of Norway. Their early demos built a cult following, and Phantom Knights in 2010 delivered a blast of raw, proto‑blackened thrash that felt ripped straight from 1985. They followed with Onward to the Pits in 2012, which sharpened their sound without losing the chaos. The lineup remained a tight duo at the core, and their live shows were notoriously unhinged. Deathhammer became a cornerstone of the Nordic underground and a major influence on the rawer side of the NWOTM.

DEATHRAISER (Brazil, 2005–2015)  

Deathraiser carried the torch for Brazil’s raw, violent thrash tradition. Their debut Violent Aggression in 2011 was a full‑speed assault heavily influenced by early Kreator and Sepultura. The band kept a stable lineup and toured the South American underground with a relentless DIY ethic. They never softened their sound or modernized it, which made them a cult favorite among fans of the most extreme side of the NWOTM.

DR. LIVING DEAD! (2005–2015)  

Dr. Living Dead! brought a masked, crossover‑thrash aesthetic straight out of 1987. Their self‑titled debut in 2011 and Radioactive Intervention the same year made them one of the most exciting Swedish thrash bands of the decade. Lineup changes were constant, especially among vocalists, but the band’s energy and commitment to old‑school thrash made them a standout in Europe.

EVILE (2005–2015)  

Evile were one of the first bands to make the new thrash wave feel serious rather than nostalgic. Their debut Enter the Grave in 2007, produced by Ex‑Metallica producer Flemming Rasmussen, immediately set them apart with a level of precision most young bands didn’t have. The band’s momentum nearly collapsed when bassist Mike Alexander died suddenly in 2009, but they regrouped with Joel Graham and pushed forward. Infected Nations and Five Serpent’s Teeth showed a heavier, more mature direction, and Skull in 2013 cemented them as one of the movement’s leading names. Lineup changes continued, especially when lead guitarist Ol Drake stepped away in 2013, but during this decade Evile were one of the defining bands of the new wave.

Evile - Enter the Grave (2007)

EVIL INVADERS (2005–2015)  

Evil Invaders emerged from Belgium as one of the most explosive speed‑thrash bands of the era. Their early EP in 2013 and debut album Pulses of Pleasure in 2015 delivered a frantic, high‑octane blend of speed metal and razor‑sharp thrash, rooted in the spirit of Exciter and early Razor. The lineup stayed relatively stable, and their intense live shows quickly made them one of Europe’s most talked‑about young bands. Evil Invaders stood out by combining NWOTM aggression with a wild, almost unhinged vocal and guitar attack, giving them a distinct identity in the global revival.

EXARSIS (2005–2015)  

Exarsis were one of the most intense and politically charged Greek thrash bands of the era. Their debut Under Destruction in 2011 was raw and frantic, but The Brutal State in 2013 put them on the map with its razor‑sharp riffs and high‑pitched, old‑school vocal attack. The Human Project in 2015 continued their evolution with tighter songwriting and a more polished sound. Lineup changes were frequent, especially on vocals, but the band’s energy and speed made them a standout in the Greek scene.

F.K.Ü. (2005–2015)  

F.K.Ü. (Freddy Krueger’s Ünderwear) from Sweden blended thrash with horror‑movie obsession and a crossover edge. They released Where Moshers Dwell in 2009 and 4: Rise of the Mosh Mongers in 2013, both packed with fast riffs and tongue‑in‑cheek slasher themes. The lineup was stable, and they became a cult favorite in Sweden and Germany. Not pure NWOTM, but absolutely part of the Swedish thrash ecosystem.

FUELED BY FIRE (2005–2015)  

Fueled by Fire came out of California with a very traditional, Bay Area‑influenced sound. Their debut Spread the Fire in 2006 was packed with fast riffs and youthful aggression. After lineup changes, especially on vocals, they returned with Plunging Into Darkness in 2010, which leaned into a darker, heavier direction. Trapped in Perdition in 2013 continued that evolution. They never broke as big as Warbringer or Havok, but they were a key part of the early NWOTM surge.

Fueled by Fire - Spread The Fire (2006)

GAMA BOMB (2005–2015)  

Gama Bomb brought humor, speed, and a sense of pure fun to the revival. Their early albums, Survival of the Fastest in 2006 and Citizen Brain in 2008, were packed with high‑speed riffs and pop‑culture‑obsessed lyrics. They followed with Tales from the Grave in Space in 2009, which they famously released for free online, and The Terror Tapes in 2013. Lineup changes were minimal compared to other NWOTM bands, and their consistency made them one of the most reliable crossover‑leaning acts of the era.

HARLOTT (2005–2015)  

Harlott were one of the strongest new Australian thrash bands. Their debut Origin in 2013 and Proliferation in 2015 showcased a tight, aggressive style influenced by both Bay Area and German thrash. The lineup changed a few times, but Andrew Hudson remained the driving force. Harlott quickly became one of the most respected modern thrash bands from the Southern Hemisphere.


HATCHET (2005–2015)
From 2005 to 2015, Hatchet emerged as one of the most determined forces in the new wave thrash revival. Formed in the Bay Area just as the scene was beginning to re‑ignite, they carried the classic regional DNA of speed, precision, and razor‑edged riffing, While injecting a modern, more aggressive bite. Their debut Awaiting Evil (2008) announced them as torchbearers for the old school, but it was Dawn of the End (2013) and Fear Beyond Lunacy (2015) that solidified their identity: tighter songwriting, sharper production, and a relentless commitment to pure thrash fundamentals. During a decade when many revival bands came and went, Hatchet stayed hungry, consistent, and fiercely rooted in the Bay Area tradition, helping keep the genre’s momentum alive for a new generation.

HATRIOT (2005–2015)  

Hatriot formed in 2011 and immediately stood out because Steve “Zetro” Souza fronted the band alongside his sons Cody and Nick. Their debut Heroes of Origin in 2013 delivered fast, sharp, Bay Area‑style thrash with a modern punch, and the follow‑up Dawn of the New Centurion in 2014 pushed the band into a darker, heavier direction. The lineup stayed stable around the Souza family, which gave the band a tight chemistry despite being new. Hatriot became one of the strongest American thrash bands of the early 2010s, carrying the classic Bay Area sound into a new generation while still feeling fresh and aggressive.

HAVOK (2005–2015)  

Havok emerged from Colorado with a sharper, more technically precise approach than many of their peers. Burn in 2009 introduced them as a band with serious chops, but Time Is Up in 2011 was the real breakthrough, combining speed, political anger, and tight songwriting. Lineup changes were frequent, especially on bass and drums, but David Sanchez remained the creative core. Unnatural Selection in 2013 leaned into a more mid‑tempo, socially conscious direction. Havok spent most of this decade on the road, building a reputation as one of the tightest and most disciplined bands in the entire movement.

Havok - Time Is Up (2011)

HELLBRINGER (2005–2015)  

Hellbringer were one of Australia’s darkest and most ferocious thrash bands of the NWOTM era. Their debut Hellbringer EP in 2010 and full‑length Dominion of Darkness in 2012 channeled the raw, evil energy of early German thrash, think Pleasure to Kill‑era Kreator with a blackened edge. The trio kept a tight, consistent lineup and built a cult following through relentless underground touring. Hellbringer became known for their uncompromising sound: fast, grim, and dripping with old‑school menace, making them one of the Southern Hemisphere’s most respected extreme‑thrash acts.

HEXEN (2005–2015)  

Hexen from Los Angeles were one of the most technical and forward‑thinking bands of the new thrash wave. Their debut State of Insurgency in 2008 delivered fast, intricate riffing with a strong melodic streak, setting them apart from the more straightforward revival bands. They pushed even further with Being and Nothingness in 2012, a progressive, concept‑driven album that blended thrash with technical and melodic elements. Lineup changes were frequent, especially on drums, but the core songwriting remained sharp. Hexen never toured as heavily as Warbringer or Havok, but their musicianship earned them a cult following and a reputation as one of the most sophisticated bands of the era.

IMMACULATE (2005–2015)  

Immaculate were one of the purest Swedish thrash bands of the era. Their albums Thrash, Kill ’n’ Deströy in 2007 and Atheist Crusade in 2009 delivered fast, technical, German‑influenced thrash. They never broke into the mainstream, but they were a staple of the Swedish underground and played with many of the bigger NWOTM bands on European bills.

INSANITY ALERT (2005–2015)  

Austria’s Insanity Alert leaned heavily into crossover chaos. Their early EPs built underground buzz, and their self‑titled debut in 2014 delivered short, fast, punk‑infused thrash songs with a sense of humor. They toured Europe heavily and became a staple of the festival circuit, especially among fans who liked their thrash unpolished and frantic.

IRON REAGAN (2005–2015)  

Iron Reagan formed in 2012 as a crossover supergroup with members of Municipal Waste and Darkest Hour. They hit the ground running with Worse Than Dead in 2013, a blast of fast, politically charged crossover thrash that felt like it could have come out in 1987. The lineup stayed stable around Tony Foresta and Phil Hall, and they followed quickly with the Spoiled Identity EP in 2014 and The Tyranny of Will the same year. Their sound was pure speed and attitude, and they became one of the most energetic live bands of the entire movement.

LAZARUS A.D. (2005–2015) Lazarus A.D. brought a more modern, groove‑infused edge to the NWOTM. Their debut The Onslaught in 2007 blended thrash speed with heavier, Pantera‑influenced riffing. Black Rivers Flow in 2011 leaned even further into that hybrid style. The band toured heavily with bigger acts, but lineup instability and industry burnout slowed them down. Even so, they were one of the more distinctive American bands of the movement.

LICH KING (2005–2015) Lich King were one of the most self‑aware and humor‑driven bands of the revival, but the music was dead serious. Toxic Zombie Onslaught in 2008 and World Gone Dead in 2010 showed a band that could write fast, sharp riffs while poking fun at thrash clichés. Born of the Bomb in 2012 was their breakthrough, and lineup changes around vocalist Tom Martin eventually shifted the band’s sound. They became a cult favorite thanks to their DIY ethic and relentless speed.

Lich King - World Gone Dead (2010)

LOST SOCIETY (2005–2015) Lost Society exploded out of Finland with a level of youthful energy that made them instant standouts. Their debut Fast Loud Death in 2013 was packed with breakneck riffs and wild, almost reckless enthusiasm. They followed quickly with Terror Hungry in 2014, tightening their sound without losing the chaos. The lineup stayed consistent, and their live shows were notoriously unhinged. Lost Society became one of the most visible European thrash bands of the early 2010s and helped put Finland on the NWOTM map.

MANTIC RITUAL (USA, 2005–2015) Mantic Ritual were one of the most promising American thrash bands of the late 2000s. Their debut Executioner in 2009 hit with a level of precision and songwriting far above most of their peers, blending Bay Area speed with a sharp, melodic edge. The band toured heavily and quickly built a reputation as one of the tightest live acts in the scene. Lineup instability, especially the departure of vocalist/guitarist Dan Wetmore stalled their momentum, and they went quiet for years. Even so, Executioner remains one of the strongest debut albums of the entire NWOTM era.

MERCILESS DEATH (USA, 2005–2015) Merciless Death were one of the first bands to ignite the American side of the new thrash wave. Coming out of California, they hit early with Evil in the Night in 2007, a raw, fast, and unapologetically old‑school record that captured the exact spirit of mid‑80s thrash. They followed quickly with Realm of Terror in 2008, sharpening their attack with tighter riffs and a more aggressive sound. Lineup changes were frequent, especially on bass, but Dan Holder and Andy Torres kept the core intact. Their third album, Taken Beyond in 2011, leaned into a darker, more sinister direction. Merciless Death toured heavily across the US underground and became one of the foundational bands of the NWOTM, influencing many of the younger acts that followed.

MORTAL STRIKE (2005–2015) Austria’s Mortal Strike formed in the early 2010s and quickly became known for their sharp, militaristic thrash style. Their debut For the Loud and the Aggressive in 2014 delivered tight riffs and a strong German influence. They weren’t as widely known as the American bands, but they were a solid part of the European underground.

MUNICIPAL WASTE (2005–2015) Municipal Waste were the band that made the new thrash wave feel fun again. Their breakthrough came with Hazardous Mutation in 2005 and The Art of Partying in 2007, both of which revived the crossover spirit of D.R.I., Nuclear Assault and early Anthrax. The lineup stayed mostly stable, with Tony Foresta and Ryan Waste anchoring the band’s identity. Massive Aggressive in 2009 and The Fatal Feast in 2012 kept the momentum going. They toured constantly and became one of the most visible faces of the revival, especially in the US festival scene.

Municipal Waste - The Art of Partying (2007)

NEKROMANTHEON (2005–2015)  

Nekromantheon from Norway were one of the most respected Nordic thrash bands of the era. Their debut Divinity of Death in 2010 and the follow‑up Rise, Vulcan Spectre in 2012 delivered raw, furious, early‑German‑style thrash with a blackened edge. The lineup stayed stable, and they became a cornerstone of the underground Scandinavian scene.

POWER TRIP (USA, 2005–2015)  

Power Trip formed in Dallas in 2008 and quickly became one of the most important crossover‑thrash bands of their generation. Their early EPs Armageddon Blues (2009) and Power Trip (2011) introduced a sound that fused classic thrash with hardcore intensity, sharp riffing, and a raw, street‑level aggression that set them apart from the more traditional NWOTM bands. The lineup solidified around Riley Gale and Blake Ibanez, whose chemistry defined the band’s identity. Manifest Decimation in 2013 was a breakthrough: a vicious, tightly written record that brought them into the wider metal and punk consciousness. By 2015, Power Trip had become one of the most explosive live acts in the underground, bridging scenes and generations while pushing thrash into a heavier, more contemporary direction.

SKELETONWITCH (2005–2015)  

Skeletonwitch weren’t pure thrash, but their blend of black metal, speed metal, and thrash made them one of the most important extreme bands of the era. Beyond the Permafrost in 2007 and Breathing the Fire in 2009 became modern classics. The lineup stayed mostly stable until vocalist Chance Garnette left in 2014. Their sound was darker and more melodic than most NWOTM bands, but they toured with all of them and were part of the same cultural wave.

SSS (Short Sharp Shock) (2005–2015)  

SSS came from the UK with a hardcore‑leaning, high‑speed crossover approach. Their self‑titled debut in 2006 and The Dividing Line in 2008 made them one of the most aggressive bands in the British scene. Problems to the Answer in 2011 and Limp.Gasp.Collapse. in 2014 kept their sound sharp and politically charged. Lineup changes were frequent, but the band’s identity stayed rooted in fast, abrasive crossover thrash.

STRIKE MASTER (2005–2015)  

Strike Master were one of the leading forces in the Latin American thrash resurgence. Formed in Mexico City, they hit early with Up for the Massacre in 2006, a raw, fast, and aggressive debut that immediately put them on the underground map. They followed with Majestic Strike in 2008 and Vicious Nightmare in 2011, both showcasing a sharper, more violent sound influenced by early Kreator and Sepultura. Lineup changes were frequent, especially on drums, but Colonel Kmu remained the driving force and kept the band’s identity intact. Strike Master toured relentlessly across Mexico and South America, becoming one of the most respected and consistent thrash bands in the region during the NWOTM era.

SUICIDAL ANGELS (2005–2015)  

Greece’s Suicidal Angels built their reputation through relentless touring and a steady stream of albums. Eternal Domination in 2007 and Sanctify the Darkness in 2009 introduced their sharp, Teutonic‑influenced sound. Bloodbath in 2012 and Divide and Conquer in 2014 showed a band growing heavier and more confident. Lineup changes were frequent, but Nick Melissourgos kept the band focused and aggressive, turning them into one of the most dependable European thrash acts of the era.

Suicidal Angels - Divide and Conquer (2014)

TANTARA (2005–2015)  

Tantara were one of the most technically sharp young thrash bands in Norway. Their debut Based on Evil in 2012 showcased tight musicianship, long song structures, and a clear influence from bands like Testament and Metallica. They didn’t release a huge amount of material during this decade, but the album made a strong impression and earned them a loyal following. Their lineup remained stable, and they became known for precise, disciplined live performances.

THRASH OR DIE (2005–2015)  

Thrash or Die came out of Miami with a raw, punk‑infused thrash sound and a sense of humor that never undercut the aggression. Their debut Poser Holocaust in 2011 became an underground favorite thanks to its fast riffs, gang‑shout choruses, and unapologetically old‑school attitude. The lineup shifted around vocalist Tony 'Rawdeal' Stark, but the band kept a consistent identity rooted in DIY energy and relentless speed. They became a cult name in the US underground, especially in the Southeast.

THE ULTRA‑VIOLENCE (2005–2015)  

The Ultra‑Violence were one of Italy’s strongest contributions to the NWOTM. Their debut Privilege to Overcome in 2013 delivered fast, precise riffing with a clear Bay Area influence. They followed with Deflect the Flow in 2015, which added more melody and technical flair without losing the aggression. The lineup remained stable, and their tight live performances helped them break into the European festival circuit. They became one of the most respected young thrash bands in Southern Europe.

TOXIC HOLOCAUST (2005–2015)  

Toxic Holocaust was essentially Joel Grind’s one‑man thrash‑punk war machine. Hell on Earth in 2005 and An Overdose of Death… in 2008 established his raw, blackened crossover style. Grind handled most of the instruments himself, bringing in live members only for touring. Conjure and Command in 2011 showed a tighter, more fully realized band sound. Toxic Holocaust became one of the most influential underground acts of the era, inspiring countless raw, DIY thrash bands.


VEKTOR (2006–2016)
Vektor emerged in the mid‑2000s as one of the most distinctive and forward‑thinking bands in modern thrash. Formed in Arizona, they fused the speed and aggression of classic thrash with the technical precision of progressive metal and the icy atmosphere of early black metal. Their debut, Black Future (2009), immediately set them apart: sprawling song structures, sci‑fi themes, and razor‑sharp musicianship that pushed the genre far beyond its traditional boundaries. Outer Isolation (2011) refined that formula, tightening the songwriting while keeping the cosmic intensity intact.

By the time Terminal Redux arrived in 2016, Vektor had created one of the most ambitious thrash albums of the decade, a full‑scale concept record that blended virtuosity, narrative depth, and sheer velocity in a way few bands could match. It was a creative peak that cemented their reputation as the most innovative thrash act of their era. But shortly after its release, internal tensions led to a major lineup split, bringing this chapter of the band’s story to a sudden halt just as they seemed poised to break even bigger.

Vektor - Terminal Redux (2016)

VIOLATOR (2005–2015)  

Violator became the face of the South American thrash resurgence. Their album Chemical Assault in 2006 was a blast of pure, old‑school aggression, and it made them cult heroes almost instantly. They followed with Scenarios of Brutality in 2013, keeping their sound raw and uncompromising. The lineup stayed remarkably stable, and their DIY touring ethic made them one of the most respected underground bands of the entire movement.

WARBRINGER (2005–2015)  

Warbringer became the road warriors of the NWOTM. Their debut War Without End in 2008 was pure youthful aggression, and Waking Into Nightmares in 2009, produced by Exodus' Gary Holt, pushed them into a darker, more technical space. The band went through constant lineup changes, especially on drums and guitar, but John Kevill held everything together with sheer intensity. Worlds Torn Asunder in 2011 and IV: Empires Collapse in 2013 showed a band experimenting with structure and atmosphere while still rooted in speed and violence. By 2014 the nonstop touring nearly broke them, but their output during this decade made them one of the most important modern thrash bands.

Warbringer - Waking Into Nightmares (2009)

WARFECT (2005–2015)  

Warfect came out of Uddevalla, Sweden with a sharp, modern thrash sound. Their debut Depicting the Macabre in 2009 and Exoneration Denied in 2013 showed a band leaning into a darker, more precise style influenced by both German and American thrash. The lineup stayed fairly stable, and they toured steadily across Europe, becoming one of Sweden’s most consistent thrash exports.

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