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swedishthrash

  

THE FIRST WAVE OF...

Swedish Thrash Metal

There wasn't just traditional heavy metal and epic doom metal greatness going on in Sweden during the eighties. Sweden also had quite a strong thrash metal scene with bands like Hexenhaus, Kazjurol, Agony, Mezzrow, Fallen Angel and Damien. In this article we will shed some light upon a heavily forgotten and underrated scene and all the bands that made an impact on it. The first wave of Swedish thrash metal ruled the icy nordic landscape of Sweden between 1988 and 1992, during these four years thrash metal had it's peak in Sweden. This is how it all started and the bands that rocked the nation.


IT ALL STARTED IN 1984...


MANINNYA BLADE

Maninnya Blade was born out of a hard rock band called Kamax from Boden in the north of Sweden. Kamax appeared on the 1983 compilation called Kommersiell Kultur (Commercial Culture). Leif Eriksson and Jan Blomqvist disbanded Kamax and formed Maninnya Blade soon afterwards and in the summer of 1984, Maninnya Blade got the opportunity to record a single. The single was recorded in Pajala close to the Finnish border way up in the North of Sweden. At the time Maninnya Blade was heavily influenced by bands like Venom, Exciter, Anthrax and Motörhead. The finished product was the 'The Barbarian / Ripper Attack' 7" single released through Platina Records. "The Barbarian / Ripper Attack" was the very first speed metal single from Sweden, the single did well and the band got the opportunity to open up for Motörhead when they played a gig in the North of Sweden.


To surf further on the success from the single the band decided to relocate from Boden in the north of Sweden to the capital, Stockholm. They all moved in together in a house in the upper middle-class area of Helenelund, except Mikael 'Mike Wead' Wikström (later of King Diamond fame) who stayed behind in Boden.


In 1986 Killerwatt Records showed interest in the band and Maninnya Blade recorded the songs in Stockholm and sent the tape to England for mastering. The mastering was a failure and the the songs ended up sounding weaker than what the band had planned for. The album Merchants in Metal was released in 1986 through Killerwatt Records but bands like Slayer, Kreator, Metallica and Megadeth were tough to compete with, in this ever evolving music industry. The album was released without much notice.


Maninnya Blade on the other hand kept recording demotapes but Maninnya Blade stood without a recording deal and members came and went, among them the drummer Martin Eriksson who is more known as the euro dance artist E-Type. They shortened their name to Maninnya for a while but eventually settled for Hexenhaus when Mikael Wikström rejoined the band.


BATHORY

1984 was also the year when a man from Stockholm called Thomas Forsberg more known as Quorthon would introduce his band Bathory to the world, first Bathory appeared on the compilation LP Scandinavian Metal Attack, which was released in March of 1984. Quorthon then recruited drummer Stefan Larsson and bassist Rickard Bergman and recorded and released the self-titled album Bathory during the autumn of 1984, an album that would change the landscape of metal music. The album had a sound unparallelled in the metal universe, together with Switzerlands Hellhammer Bathory was a new type of breed. The early work of Bathory was incredibly raw, distorted and lo-fi sounding. The band used satanic references and anti-christian imagery, traits that later would define black metal.

However after all the black metal and viking metal albums, Bathory turned to a more thrash oriented sound with 1994's Requiem and to a degree 1995's Octagon as well. 


One could argue that Bathory and Maninnya Blade is not in the realm of thrash metal and I can agree with that statement but still those two bands took metal music in a heavier direction. Bathory helped defining the Black metal sound and later invented the Viking metal genre, plus they had that short thrash period in the mid 90's and Maninnya Blade was more of a pioneering speed metal band.



Bathory - Bathory (1984)



AFTER BATHORY

Bathory was ahead of the pack and it would take 2-3 years before the rest of Sweden's metal community catched up to what Quorthon was doing. Bathory had released a second studio album titled The Return...... in 1985 before most metal fans in Sweden took notice. In 1986 another band from Stockholm took a similar route, but they didn't manage to score a record deal but their demotapes was released on CD a few years ago, the band I'm thinking of is Mefisto and their demotapes are regarded as legendary in the Swedish underground, but still they were a mix of speed, thrash and black metal, the metal bands that played true thrash metal had still not shown up on the radar.



THE SWEDISH METAL LANDSCAPE

One must remember how the landscape of metal was back then if we're going to tell this story somewhat correctly. In around 1985-1986 when things started moving in Sweden a hair metal band called Europe dominated the magazines and the airwaves, No other metal band of any type could reach any mainstream success because Europe soaked up all the attention with their anthemic Final Countdown. At the same time Swedish hard rockers united under the name Swedish Metal Aid and released the incredibly dull Give a Helpin' Hand. Fluffy pop metal ruled the charts even harder in Sweden than in most other countries.



THE FIRST WAVE OF SWEDISH THRASH METAL (1988-1992)

In 1988 the thrash wave began for real with Hexenhaus, Agony and Damien releasing their first albums. Power / Thrashers Destiny released their second studio album called Atomic Winter and Bathory released Blood Fire Death the same year. The wave kept going through out the eighties but around 1992 the scene started dying off. But not at the extreme level that happened in the Bay Area.


Most bands that was a part of the first wave of Swedish thrash metal were quite technical (Agony, Hexenhaus, Mezzrow), maybe because the American Bay Area scene was more influential than the German scene. One could also thank the "Musikskolan" Swedish Musical school. Which was a part of all schools in Sweden back in the eighties and seventies were kids got the opportunity to pick up and learn an instrument during school hours. But there were also a few punkier thrash bands (Krixhjälters and Kazjurol). Swedish thrash metal might not even be a big thing for metal heads in Sweden these days but there were a lot of talent in the country but most bands just managed to release an EP or an LP before disbanding. The highlight of the wave might have been the Active Thrashes Scandinavia tour in 1990 when Kazjurol, Hexenhaus, Mezzrow and Fallen Angel came together and toured Sweden. Anyway, this is era when Swedish thrash metal became a thing.



THRASH COMES ALIVE

In around 1985 the first demotapes started to appear on the tape trading market. Sure Krixhjälters and Destiny had demos out earlier but none of them can really be defined as thrash metal. In 1985 Virgin Sin from Malmö recorded four-track demo and Agony from Stockholm had their first demo out called The Future is Ours. This was also the first steps towards a Swedish thrash metal scene, If you can call it a scene when most bands in the south had no idea of what was going on in the north and vice versa. Mainly because the cities in the north and south were separated by 1000 kilometers of icy nordic landscapes in the pre-internet days. Swedish thrash metal had it's peak in creativity and popularity during the second wave of thrash metal, from 1988 up until 1992.



HEXENHAUS

Out of the aforementioned Maninnya Blade, Hexenhaus arose. Compared to Maninnya Blade, Hexenhaus had a more technical sound. Hexenhaus was the most active and perhaps the most famous Swedish thrash metal band together with Merciless and early Meshuggah. Hexenhaus signed up to Active records and album debuted in 1988 with A Tribute to Insanity. You might recognize the artwork, which is a painting by Jean Delville and death metal band Morbid Angel used the same painting for their Blessed Are the Sick which was released three years later.

At the time of the recording of their debut album the bands lineup was: Nicklas Johansson, Mike Wead, Rick Meister, Jan Blomqvist and Ralph Rydén. But then vocalist Nicklas Johansson got tired of all the arguing within the band and he decided to leave and soon the rest of the band followed, except Mike Wead who decided to keep the band going even if he wasn't an original member of the band, at least according to Nicklas Johansson.

The former members didn't like the fact that Mike Wead continued the band but in 1990 the Mike Wead led Hexenhaus released The Edge of Eternity with a completely new lineup, amongst them Damien's former vocalist Tommie Agrippa. The band managed to keep their technical thrash sound and the follow up was another pretty strong thrash release. In 1990 Hexenhaus toured Sweden with Swedish thrash bands Kazjurol, Mezzrow and Fallen Angel.

In 1991 it was time again for another Hexenhaus release, yet again there was major lineup changes and in came vocalist Thomas Lyon and bassist Conny Wélen (ex-Mezzrow). Hexenhaus then started writing songs for a fourth studio album but instead of releasing the songs as the new Hexenhaus album, Mike Wead and Marty Marteen formed Memento Mori together with the legendary Messiah Marcolin, whom had recently departed from Candlemass. Memento Mori was more in the doom / power metal realm and they released four albums between 1993 and 1997. In 1997 Mike Wead and Marty Marteen decided to reform Hexenhaus and the album Dejavoodoo was released the same year on Black Mark Production. But after the Dejavoodoo album Hexenhaus was laid to rest until 2012 when the band decided to reform.



Hexenhaus - A Tribute to Insanity


AGONY

Agony who originally went under the name Agoni went abroad early and toured the UK with Swedish punk band Anti-Cimex in the summer of 1986, with just one demo tape out. The band recorded another demo in 1987 called 'Execution of Mankind'. This demo led to a record deal with Music For Nations. After recording the MFN (Music For Nations) demo Agony went into the studio and recorded their debut album The First Defiance which was released on the Music For Nations label. At the time things looked positive for the Stockholm based band as they became label mates with bands like Death, Bathory, Dark Angel and Forbidden amongst others.

The First Defiance was released in 1988 and it was a highly technical thrash metal album, drawing influences from the likes of Testament, Heathen and all the other gods of the Bay Area scene around San Francisco, unfortunately Agony couldn't keep the momentum going and Agony disbanded soon afterwards, guitarist Pelle Ström would go on and join Krixhjälters when Agony disbanded.



Agony - The First Defiance



MIDAS TOUCH

Midas Touch formed in Uppsala, just north of Stockholm in 1985, by Patrik Sporrong and Bosse Lundström. Patrik Sporrong who is perhaps even more known for being part of new wave thrashers F.K.Ü. (Freddy Krugers Underwear). In 1988 the band recorded their Ground Zero demo which led to a five year contract deal with the legendary Noise Records. The band signed the deal and became label mates with bands like Celtic Frost, Kreator, Helloween and Coroner. In 1989 Patrik Sporrong's cousin Rickard joined the band and the lineup of Patrik Sporrong, Rickard Sporrong, Bosse Lundström, Patrik Wirén and Lasse Gustavsson went into the Skytrak studio and recorded the bands debut album Presage of Disaster.

The album was produced by Roy Rowland, a producer who had previously worked with bands like Satan, Laaz Rockit, Sabbat, Onslaught and Kreator. On Presage of Disaster the band took a stand against the arm's race, drugs and apartheid. In October of 1989 Midas Touch played a gig at Fryshuset in Stockholm, opening for hardcore legends Bad Brains.


Midas Touch - Presage of Disaster



MEZZROW

Mezzrow from Nyköping, Sweden was a thrash metal quintet that recorded two demotapes (Frozen Soul and Cross of Tormention) before they got in contact with Active Records. They signed a deal for five years and three records and in 1990 they released what would become their only full length-release "Then Came the Killing" and it is still today considered as one of the best thrash metal releases from Sweden and Scandinavia. In 1990 Mezzrow, Kazjurol, Hexenhaus and Fallen Angel did a tour together, the "Active Thrashes Scandinavia", but the bands just ended up playing gigs together in Sweden during weekends.

When Candlemass made their legendary gig at Fryshuset in 1990, Mezzrow opened the event, but it's unclear wheter they were filmed. Then Mezzrow recorded another demo in 1991 before disbanding soon afterwards. During their short career Mezzrow gigged with all important swedish bands at the time like Candlemass, Entombed, Midas Touch, Hexenhaus, Kazjurol, Fallen Angel and Meshuggah to name a few. In 2006 they released a DVD called "...Then came the video".




Mezzrow - Then Came the Killing



KAZJUROL

Kazjurol formed in 1984 in Fagersta. But unlike bands like Midas Touch, Hexenhaus and Fallen Angel, Kazjurol had a way more punkish style and they took their influences from bands like D.R.I., Discharge and Cro-Mags. Stylewise they also played the part of your typical crossover band with a look more common in punk than in the realm of metal music. In 1987 the band released two singles, Breaking the Silence and Messengers of Death. Kazjurol played a "legendary" gig on the fifth of may of 1989 in their hometown of Fagersta, Sweden. Kazjurol played alongside legendary bands like Forbidden, Sacred Reich and Holy Moses and Messiah Marcolin of Candlemass showed up and took part of the show.

In 1990 the band signed to Active Records where they became label mates with Messiah Marcolin's band Candlemass. In 1990 the band released their debut album Dance Tarantella, they also toured Sweden with Hexenhaus, Mezzrow and Fallen Angel. In 1991 Kazjurol released a cover EP, where the band covers tracks by bands like S.O.D., Venom, Bad Brains and Cro-Mags. In 1991 Kazjurol joined Entombed on their Clandestine tour and later in 1991 the band released another EP on Burning Heart records, the EP was released in 300 copies and is rather impossible to find these days. Kazjurol then disbanded soon afterwards.




Kazjurol - Dance Tarantella


TRIBULATION

Tribulation from Surahammar was originally called Pentagram, but as most of you know, there is a legendary doom metal band with the same name so the band took the name Tribulation. Also worth noting is that this is not the same Tribulation as the death metal band from Arvika, Sweden. In 1988 Tribulation from Surahammar was a part of the "Is This Heavy or What" compilation EP with the track Pecuniary Aid. The track was taken from the bands demo tape Pyretic Convulsions. Atrocity (pre-Rosicrucian), Gravity and Damien were the other bands that were involved in the release. In 1991 the band released their only studio album to date, the somewhat jazzy and punky Clown of Thorns. The album was released on Bathory's own label Black Mark Production. The album was produced by Quorthon's alleged father Börje 'Boss' Forsberg and engineered by Rex Gisslén known for his work with Candlemass, Bathory and Hexenhaus.



FALLEN ANGEL

Fallen Angel from Örebro formed in 1987 after recording two demo tapes in the late eighties the band appeared on a split EP together with Nirvana 2002, Authorize and Appendix. In 1990, before recording their debut EP, Fallen Angel got the opportunity to tour Sweden with Kazjurol, Hexenhaus and Mezzrow. In 1991 Fallen Angel album debuted with a 24 minute long self-released EP. Some of the songs from their debut EP would later end up on the band's first full-length release, Faith Fails. The new songs were recorded at Studio Eagle in october of 1991 and later released through the German label Massacre Records in 1992. Just like most other Swedish thrash metal bands, Fallen Angel disbanded soon after releasing their debut album.



Fallen Angel - Faith Fails


RAVING MAD

Raving Mad from Västervik was a power / thrash band and in 1987 they released the very first Swedish thrash metal 7'' single titled A Dazzling Display. But they were not alone to release a real heavy single in 1987, Warning from Älvsbyn also released a heavy / thrash metal single titled Armageddon. But back to Raving Mad again, the band recorded a handful of demotapes in the late eighties and in 1990 the band released their self-titled 10" EP. Raving Mad never got any further than this but they are still somewhat remembered amongst fans of Swedish metal for being an early pioneer.



DAMIEN

Damien from Uppsala was one of the most talented and heaviest Swedish thrash metal bands but like just about every Swedish thrash band they only managed to get one EP out. The Requiem for the Dead EP from 1988, released through Gothic Records. The EP was only released in 500 copies so it's pretty hard to find a copy of it today. Damien also appeared on the "Is this heavy or what?" compilation from 1988 with the track Hide and Seek, Other bands on the compilation was: Tribulation, Gravity and Atrocity (pre-Rosicrucian). 1988 was the year when everything happened for the band and it seems like they disbanded the same year.



ICE AGE

Ice Age from Gothenburg formed in early 1985 by Sabrina Kihlstrand and Pia Nyström whom met through an ad in a music store. Ice Age was something as rare as an all female thrash band. Ice Age was originally a power metal band called Rock Solid which later became the name of their first demo. Then Ice Age developed a more raw sound and the band drew influences from Metallica and Megadeth. Ice Age released two technical thrash metal demos, the first from 1987 titled General Alert and the album from 1988 was untitled. Ice Age then started touring and they played in Switzerland in front of 5000 people as well as performing at the legendary Marquee club in London.

Sabrina Kihlstrand then left the band due to an argument with the bands manager and Sabrina was replaced by the italian guitarist Isabella Fronzoni and american Debbie Gunn (Sentinel Beast & Znowhite) on vocals. In 1989 Ice Age recorded a fourth demo called Instant Justice. Kerrang wrote about the band and it looked like they were destined for stardom. But the big break never came and all the internal fights was too much to handle and the band called it quits in 1990 prior to getting their first record out, which made the band one of the most prolific thrash bands that never released an album. In 2014 Ice Age reformed with a new lineup so it will be exiting to see what the new Ice Age can come up with.



THE KRIXHJÄLTERS

The Krixhjälters loosely translated into The Warheroes formed in 1982 in Stockholm Sweden, they were a hardcore band with crossover tendencies. They were influenced by Black Flag and Dead Kennedys. The band's debut EP The Krixhjälters was recorded in 1984 but it was unreleased until 1986. Then the band signed to CBR Records and recorded the EP Hjälter Skelter in 1988. On the bands early recordings they sung in Sweden but by now they switched to English. In 1989 the band released their full-length debut Evilution, they also recorded a christmas single called A Krixmas Carol (1990). The band later evolved into Omnitron.



OMNITRON

Omnitron was the continuation of The Krixhjälters. This time with a little more seriousness and a thrashier sound compared to the material recorded under The Krixhjälters name. The band recorded Masterpeace in 1990. They also recorded an EP in 1994 with the strange title "Somewhere, Sometime, Someone is Nude You're Dressed.". But then Omnitron was laid to rest and members Pelle Ström and Rasmus Ekman founded death metal band Comecon with L-G Petrov (Entombed).



MERCILESS

Sweden's most extreme thrash metal band  in the early nineties was without a doubt Merciless. A death / thrash act that took Swedish metal into new extremes. To be completely honest Merciless leaned more towards death metal if you ask me, but hey. Let's tell there story here too.

Merciless album debuted in 1990 with The Awakening which was released through Euronymous (Mayhem) Deathlike Silence label. In 1992 The Treasures Within was released and in 1994 they released Unbound before breaking up when the grunge wave hit. Merciless returned in 2002 with a self-titled album



 Merciless - The Awakening


MESHUGGAH

Meshuggah, the only band that fully survived the first wave of Swedish thrash metal, but they went experimental instead of keeping their early thrash/groove metal sound. Meshuggah are known for pioneering the djent genre and for touring with the likes of Slayer and Ozzy Osbourne. But before becoming stars in the metal genre Meshuggah was a technical thrash / groove metal band from Umeå, a city in the north of Sweden. To be complete honest it's only Meshuggah's debut album that can be described as a thrash metal release. The album I'm talking of is of course Contradictions Collapse from 1991. Sounding like a mix between ...And Justice For All by Metallica with some touches of 90's Overkill and Pantera and Machine Head. Technical but also very dry in it's tone like most 90's metal releases.



Meshuggah - Contradictions Collapse


ATROCITY

Atrocity formed in Sala before moving to Västerås. Atrocity was active for about three years before the band changed the name to Rosicrucian. During their short spell they recorded two demo tapes in 1988 and 1989. They also appeared on the Is this Heavy or What? compilation from 1988, together with Tribulation, Damien and Gravity. In 1989 Atrocity became Rosicrucian.



ROSICRUCIAN

Rosicrucian from Västerås was originally known as Atrocity, After the Initiation Into Nothingness demo the band signed up to Black Mark Production. The band released two albums, Silence in 1992 and No Cause for Celebration in 1994. The bands last show was played in Västerås in 1995, They were apparantly not happy with their label and disbanded because of it, The band Slapdash was formed in the ashes of Rosicrucian. Under the name Slapdash they released an EP titled Bound in 1995 and an LP called 240.25 Actual Reality in 1996.



 Rosicrucian - Silence


DESTINY

Destiny from Gothenburg was never a pure thrash metal band, their mixture of heavy, power and thrash metal was effective yet heavily underrated. They had this Metal Church meets Vicious Rumors approach, a style that themselves crowned as Dark Metal, a style that was quite different from what people think Dark Metal is today. Destiny debuted in 1985 with Beyond all Sense, in 1988 they released the somewhat thrashier Atomic Winter. In 1991 they released Nothing Left to Fear. The band has remained active and they released their seventh studio effort in 2016 titled Climate Change.



ATROX

Atrox from Gunnebo formed in 1990 and released a two-track 7" single and two demo tapes before disbanding a few years later. The single was called Land of Silence and it was released in 1992. Not much more is known but the band supposedly disbanded somewhere in the mid nineties.



MORTALITY

Mortality from Nyköping took their influences from Testament, Exodus and Metallica. They had some serious talent but somehow the band didn't get signed by any label. They had a song on the Rockbox compilation LP for Swedish Radio. They also recorded three demo tapes in the late eightes and early nineties before disbanding. Lately, founding member Danne Andersson has started up the band again as a solo project, because he plays all the instruments himself these days. In 2016 Mortality finally album debuted with For whom the Bomb Tolls, only available through digital download.



GOD B.C.:

God B.C. from Helsingborg in the south of Sweden formed in the late 80's and they released on album through Wild Rags Records called Eargasms in Eden. The album was released in 1989 and after that the band merged with Hyste'riah and the band Hyste'riah G.B.C. continued on.



HYSTE'RIAH

As said earlier Hyste'riah merged with God B.C. and became Hyster'iah G.B.C. Hyster'iah only recorded two demo tapes before the two bands merged. Hyster'iah was from the neighbouring town of Landskrona. In 1991 Hyste'riah G.B.C. released an album titled Snakeworld through Hellhound records.



CANDLEMASS

Yes, I know, Candlemass is not a thrash metal band, they are the inventors of the epic doom metal genre. But Candlemass had close ties to the thrash scene, their faster songs even had a few thrashier elements to them, just listen to a song like the instrumental 'Into the unfathomed tower' but that's not what I'm going to focus on here. Candlemass did shows with everyone from Mezzrow to Kazjurol and probably a few others as well. They were also included in the legendary  "3-Way Thrash" video, recorded at the Hammersmith Odeon in 1989. The video also featured live appearances from D.A.M. and Dark Angel.



VIRGIN SIN

Virgin Sin was one of the first bands to play thrash in Sweden and they had this dark Slayer inspired sound and style. They originated from Malmö in the south of Sweden and their first demo tape was recorded in 1985. They kept releasing demo tapes until 1991. In 1999 and 2003 they released two EP's Make 'Em Die Slowly and Seduction of the Innocent. In 2007 they finally released a full-length album titled Brotherhood of Freaks.



DAMNATORY

Damnatory from Borås released one LP in 1990 titled The Madness Never Ends on Büms Records. They also recorded two demo tapes back in the days. They reunited in 2012.



SHOUT-OUTS

I also want to give a shout-out to these thrash bands for contributing to the Swedish thrash metal scene of the late eighties and early ineties:

Black Uniforms, Death Ripper, Equinox, Gung-Ho, Hatred, Melissa, Exile, Thrashholes, Kjell-Peders, Cardiac Arrest, Morbid, Metal Mercy, Slow Death, Brejn Dedd, Intoxicate, Satanic Slaughter, Filthy Christians, River's Edge, Barophobia, Calipash, Obey, Kjell-Peders, Virgin, Pagandom, Psychodeath, Total Death, Orchriste, Morbidity, Killteam, S.L.R., Hasty Death, Afflicted Convulsions, Rabbit's Carrot, Desecrate, Appendix, Metroz, Harvey Wallbanger, Claustrophobia, Contra, Helvetica, Mutilator, Leprosy, Aeon, Division S, Cripple, Morbid Fear, Amentia, Sarcazm, Toxic Waste, Graveyard Disturbance and Formicide.


Ruthless

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